Roots

The distinctive sound of close barbershop harmony can be traced back well over 100 years.  Many of the earliest audio recordings at the dawn of the 20th century captured songs that are still sung, little changed, today.  One obvious difference between the quartets of yesteryear and those in the Barbershop Harmony Society today is most of the early quartets sang to instrumental accompaniment, and today's quartets sing a cappella - but the harmonies are very familiar.  The following pieces are in the public domain and are downloadable in the MP3 format (most are 3-4MB in size):

  Sweet Adeline, recorded over 100 years ago (1904) by the
  Columbia Quartet, is still sung frequently today as are 
  My Wild Irish Rose (1907 Haydn Quartet) and Let Me Call
  You Sweetheart
(1911 Columbia Quartet).

  In 2002, one of the Sound of the Rockies competition
  pieces was Waiting For The Robert E. Lee.  Those of you who remember it can compare the chorus' rendition to a 1912 version by the Heidelberg Quintet.  

Sound of the Rockies is proud to include in its repertoire songs that express the pride that chorus members feel in our country and in the men and women who serve (and have served) in the armed forces to protect the freedoms we enjoy.  This was also a tradition of the earliest quartets as evidenced by songs like; You're A Grand Old FlagThe Yanks Are At It Again (1917 & 1918 American Quartet),  A Rainbow From The USA (1918 Peerless Quartet) and a Medley Of Patriotic Songs (1908 Columbia Quartet).  This patriotism continues in the quartets and choruses of today.

Three more representatives of quartet music of this period from the American Quartet include: Play That Barber-Shop Cord (1910), Moonlight Bay (1912) and Good Night Mr. Moon (1912).

A great reference listing old, printed collections of barbershop songs can be found at this site.


Enjoy complimentary recordings of our 2004 contest set:
When Its Nighttime in Dixieland   MP3 (2.9MB)
Somewhere Over The Rainbow/I'm Always Chasing Rainbows   MP3 (4.2MB)