MILE HIGH MONTHLY

S O U N D I N G S

from SOUND OF THE ROCKIES


Volume 1, Number 14April, 2001
ANNUAL SHOW

This year's annual Sound of the Rockies show is April 21 at the historic Paramount Theater in downtown Denver. Show times 2 and 7 p.m. Pageantry, pirates and patriotism. Sacred, silly, sentimental: It's entertainment!

The Show Card:*

Great Day
How to Build a Chorus
Ave Maria (Franz Biebl)
What Shall We Do With the Drunken Sailor?
The Pirate Song
Embraceable You
Luck Be a Lady
It Is Well With My Soul
The Rhythm of Life

Executive Order
(2000 Rocky Mountain District Quartet Champs)

Kowalski Twins
(2000 Rocky Mountain Senior Quartet Champs)

-Intermission-

JazzKatz
(The Best of Denver's Mixed A Cappella Music)

Platinum
2000 International Champion Quartet

CHORUS FINALE
“Armed Forces Medley”
(Featuring Guest Color Guard)

*Order subject to change

Don't miss it. Show producer George Davidson was reliably reported to say, “This is our best show ever!

BETTER FOR HAVING KNOWN HIM

John McCord, 64, died March 7 in Aurora after a relatively short illness. He was a well-known barbershop veteran in the Rocky Mountain and Southwest Districts, having sung baritone in top-level quartets since the 1960's as a member of the San Antonio, Texas chapter and later of the Mile Hi and Denver Tech chapters.
John's continuing influence on his barbershop colleagues is measured by their fond and lively memories of him. Doug Porrey went with John to the Internationals in New Orleans as a co-member of Quincy Avenue. John had been in the Quartet Internationals earlier, with the “Smilin' Irish,” out of San Antonio, placing in the top 20. Doug's recollections include the memory that John's secret love was jazz, having played the saxophone in dance bands in his twenties-his special love being the big-band jazz of the 30's and 40's. McCord and Ron Kientz, both Mile Hi members of the Rocky Mountain District quartet champion of 1978, “Colorado Gold,” participated together in a reunion performance of that quartet at the Spring 2000 Rocky Mountain District Convention.
John's wife Sandy has long been active in the Skyline Chorus in the Denver area, holding offices in the Rocky Mountain Region 8 of The Sweet Adelines. Daughter Amy has also been a Skyline member, and John's brother Bill is an active barbershopper in Florida. The memorial service was held on March 9 at Fairmount, with friend and quartet colleague Allen Gaspar leading. The Mile Hi chapter chorus celebrated John's life with music.
OFFICERS AND MUSIC TEAM 2000
MILE HI CHAPTER
PresidentBob Hartwig
Immediate Past PresidentBill Lahti
Musical DirectorDarin Drown
Assistant Director/ChoreographyJim Clark
SecretaryDick Stark
TreasurerRalph Nafziger
VP Membership ServicesMichael Nogrady
VP Music/PerformanceRoger Olson
VP EventsFred Wiese
VP Public RelationsJason Mork
VP MarketingBob DeGroot
Members at Large Jerry O'Halloran
Grant Coordinator
Adam Nafziger
Charities Coordinator
Section Leaders:
Tenors:Dave Ellis
Leads:Ed Davis
Baritones:Jim Weaver
Bass Co-Leaders:Mark Zenk
Jerry Perron
Music Committee Advisors:George Davidson
John McCord
Quartet Development:Dennis Cook
Music LibrarianJerry O'Halloran
Learning TapesGeorge Smith
Learning CDsDave Ellis
Show ProducerGeorge Davidson
RosterManager Jim Hunsaker
jhunsaker@att.net
SOUNDINGS
Dick Rautio, Editor
2573 S. Lima Way
Aurora, CO 80014
drautio@unidial.com
IN PRAISE OF PROGRESS

If you have not yet discovered (or had access to) the current series of “tutorials” on the S.P.E.B.S.Q.S.A. website, they make for wonderfully informative and entertaining reading. Tutorial Two, for example, identifies the real barbershop origins of American a cappella harmonizing as the African-American communities in the 1870's when, as noted black historian James Weldon Johnson writes, “There was hardly a barbershop in Jacksonville [Florida] that didn't have its own quartet.” Another famous locale-with several black quartets-was Joe Sarpy's Cut Rate Shaving Parlor in St. Louis.

But to begin at the beginning, here is Tutorial One: What is Barbershop Harmony?
“SPEBSQSA is devoted to promoting, preserving, and enjoying a special form of harmony known as barbershop. But what makes a particular song or arrangement "barbershop-able"? What's the difference between barbershop and doo-wop, jazz, madrigal, and other a cappella music?
Technically speaking, barbershop harmony is a style of unaccompanied singing with three voices harmonizing to the melody. The lead usually sings the melody, with the tenor harmonizing above the lead. The bass sings the lowest harmonizing notes and the baritone provides in-between notes, either above or below the lead to make chords (specifically, dominant-type or "barbershop" sevenths) that give barbershop its distinctive, "full" sound.
Probably the most distinctive facet of barbershop harmony is the phenomenon known as expanded sound. It is created when the harmonics in the individually-sung tones reinforce each other to produce audible overtones or undertones. Barbershoppers call this "ringing a chord." Singing in a quartet or chorus and creating that "fifth voice" is one of the most thrilling musical sensations you'll ever experience, leading to goosebumps the size of golf balls. “

Reflection on the above: What I like about this concise essay on barbershop harmony is that it doesn't lobby for a point of view but gets down to the basics. No distinctions between “show barbershop” and “real barbershop,” no agendas about “simple lyrics” and “singable melodies,” no dating of acceptable barbershop songs, no declarations that only the “old songs” were written with seventh chords in them. In fact, nothing that suggests the so-called controversy about “barbershop style” is a debate (which somebody has to win) rather than a discussion (which deepens our understanding and broadens our appreciation).

[I overheard this not long ago: Fred Wiese (older SOR member) said: “What's wrong with the old songs?” Jason Mork (younger SOR member) answered: “They're old.”]

I am an unapologetic progressive when it fun, I began to check the dates of songs in some barbershop collections and with one exception found none more recent than 1912. Please. Check out Cole Porter's 1937 classic In the Still of the Night. A simple melody? Of course. Straightforward lyric? Yes--compare it to “Once in the bygone days beyond recall, when on the world the mists began to fall...” See what I mean? Seventh chords? 37% (his Night and Day had 67%!). Heart-felt sentiment?
Yep.
OK, OK, Jason-so maybe 1937 means it's one of the old songs, too. But I was there and it was a very good year (as Ol' Blue Eyes would have said). And I'm still waiting for a barbershop arrangement.
In the interest of interest among a newer generation of barbershoppers, and to coin a phrase, Let's keep it a discussion. Or put it this way: maybe the old songs are older than they used to be. Isn't every(body)thing?

BELLES APRIL MEETING

The March meeting was moved up one week so that Glenda Hartwig could show us how to make metal angel pins. Thanks, Glenda, for a fun and productive evening!
The April meeting will be on the scheduled date, the third Thursday of the month, April 19. We meet at 7 p.m. where the SOR Chorus rehearses (at the University Church of Christ, 2000 So. Milwaukee St., Denver, just off east Evans Ave. and a couple of blocks east of University Blvd.).
Belles membership dues are $5.00 annually and are now being accepted for the year 2001. This money is used to cover general operating expenses and donations to Heartspring. Please make out your checks to Mile Hi Belles and mail to Helen Swanson, 3121 Mountain Shadows Drive, Denver, CO 80215.
Reminder: If your address or phone number has changed in the past year, please let me know so that I can keep our roster current. If you wish to be notified of auxiliary business by e-mail, please include this information as well. To new members, please also include the day and month of your birthday and anniversary.
If you have ANY questions, please call Carol Welch, President, at 303-771-1207 or Helen Swanson, Membership VP, at 303-232-8870.
BEST WISHES TO BOBBY ANDERSON

Prayers for a speedy recovery from retinal surgery are sent to Bobby Anderson, long-time member and tenor with the Mile Hi Chapter.
LETTER FROM OUR LEADER

Gentlemen,

Thank you so much for your great effort and dedication. I know this barbershop is only a hobby, but I hope you realize the passion I have for excellence for our chorus, even if it is just a hobby. I feel that so many of you share this desire for excellence, and it shows up more and more in each and every performance we do. And I have no doubt that this upcoming show will be the most outstanding barbershop show Colorado has ever seen.
The music is obviously challenging, but I am continually amazed that the more I raise the bar, the higher you jump. I know it has been at times frustrating, but you are becoming much stronger, smarter singers and performers. To reach the ultimate goal, we must continue to stretch our abilities and boundaries as performers. At the same time, I am excited to start approaching more "barbershop" type arrangements, even in the most conservative definitions of the term. In fact, the first two songs we will learn following the show are standard homophonic barbershop arrangements.
I made this statement one night a couple months ago at rehearsal, but let me reiterate that one of the biggest reasons I have avoided pure barbershop singing is that it is so difficult to sing well that I don't like to teach people "how to sing" on a barbershop piece, but rather introduce barbershop harmonies to them after the singing skills are more in place. We are coming to that point. Now don't get me wrong, we will continue to perform a varied repertoire, but I have heard some of the pleas and I believe it is now time to introduce some of my favorite barbershop pieces out there.
Keep up the tremendous work. Our chorus is about to break into a whole new musical realm. You guys make me very proud!

Darin

HOW TO SING THE BLUES

The poet T. S. Eliot wrote: “April is the cruellest month.” Well, no month is too cruel in Colorado, generally, though we get a good share of our annual 65 non-sunny days then. So, if you feel like singing the blues, here's some expert advice, contributed to the Fullerton, CA Chapter bulletin Barbershop Clippin's by one Charles Everett.

(Attributed to Memphis Earlene Gray with help from Uncle Plunky, revisions by Little Blind Patti D. and Dr. Steve Franklin.)

1. Most Blues begin, “Woke up this morning.”
2. “I got a good woman” is a bad way to begin the Blues, 'less you stick something nasty in the next line, like “I got a good woman with the meanest face in town.”
3. The Blues is simple. After you get the first line right, repeat it. Then find something that rhymes...sort of: “Got a good woman - with the meanest face in town. Got teeth like Margaret Thatcher - and she weigh 500 pound.”
4. The Blues are not about choice. You stuck in a ditch, you stuck in a ditch, ain't no way out.
5. Blues cars: Chevys and Cadillacs and broken-down trucks. Blues don't travel in Volvos, BMWs, or Sport Utility Vehicles. Most Blues transportation is a Greyhound bus or a southbound train. Jet aircraft an' state-sponsored motor pools ain't even in the running. Walkin' plays a major part in the blues lifestyle. So does fixin' to die.
6. Teenagers can't sing the Blues. They ain't fixin' to die yet. Adults sing the Blues. In the Blues “adulthood” means being old enough to get the electric chair if you shoot a man in Memphis.
7. Blues can take place in New York City but not in Hawaii or any place in Canada. Hard times in St. Paul or Tucson is just depression. Chicago, St. Louis and Kansas City still the best places to have the Blues. You cannot have the blues in any place that don't get rain.
8. A man with male pattern baldness ain't the blues. A woman with male pattern baldness is. Breaking your leg cuz you skiing is not the blues. Breaking your leg cuz an alligator be chomping on it is.
9. You can't have no Blues in an office or a shopping mall. The lighting is wrong. Go outside to the parking lot or sit by the dumpster.
10. Good places for the Blues:

a. highway
b. jailhouse
c. empty bed
d. bottom of a whiskey glass
Bad places:
a. Ashrams
b. gallery openings
c. Ivy League institutions
d. golf courses
11. No one will believe it's the Blues if you wear a suit, 'less you happen to be an old ethnic person and you slept in it.
12. Do you have the right to sing the Blues?
Yes, if:
a. you're older than dirt
b. you're blind
c. you shot a man in Memphis
d. you can't be satisfied
No, if:
a. you have all your teeth
b. you were once blind but now can see
c. the man in Memphis lived
d. you have a retirement plan or trust fund
13. Blues is not a matter of color. It's a matter of bad luck. Tiger Woods cannot sing the blues. Gary Coleman could. Ugly white people also got a leg up on the blues.
14. If you ask for water and Baby give you gasoline, it's the Blues. Other acceptable Blues beverages are:
a. wine
b. whiskey or bourbon
c. muddy water
d. black coffee
The following are NOT Blues beverages:
a. mixed drinks
b. kosher wine
c. Snapple
d. sparkling water
15. If it occurs in a cheap motel or a shotgun shack, it's a Blues death. Stabbed in the back by a jealout lover is another Blues way to die. So is the electric chair, substance abuse, and dying lonely on a broken down cot. You can't have a Blues death if you die during a tennis match or getting liposuction.
16. Some Blues names for women:
a. Sadie
b. Big Mama
c. Bessie
d. Fat River Dumpling
17. Some Blues names for men:
a. Joe
b. Willie
c. Little Willie
d. Big Willie
18. Persons with names like Sierra, Sequoia, Auburn, and Rainbow can't sing the Blues no matter how many men they shoot in Memphis.
19. Make your own Blues name (starter kit):
a. name of physical infirmity (Blind, Cripple, Lame, etc.)
b. first name (see above) plus name of fruit (Lemon, Lime, Kiwi, etc.)
c. last name of President (Jefferson, Johnson, Fillmore, etc.)
20. I don't care how tragic your life: you own a computer, you cannot sing the Blues. You best destroy that thing. Fire, a spilled bottle of Mad Dog, or even a shotgun. Maybe your big woman just done sat on it. I don't care.
ROLLING STONES AND OTHER GEMS

If you thought Mile Hi's quartets just sat around when not out delivering Singing Valentines in February, here are some who gathered no moss. Thanks to Dick Stark, chapter secretary, for the data below.

24 Karat Ring:
Feb 9 Brighton Senior Center
Feb 10 Denver Lions Club
Feb 14 Investment Group-Wilshire Inn
Feb 14 Lions Club-Heather Gardens
Feb 15 30th Anniversary Party
Executive Order:
Feb 18 Kennel Club Dog Show
Feb 11 Mt Olive Lutheran Church
Kowalski Twins:
Feb 16 Birthday party, Stanford's Restaurant

Myron Swisher is a new member of the Sound of the Rockies bass section and his acquisition is one of those “you never can tell” stories. His wife Cherie is a cellist with the Arapahoe Philharmonic Orchestra, and after our joint holiday show with APO last December, he met some chorus members at the party.
Moving here from Alexandria, Virginia, Myron first heard of the Harmonizers while on the Denver Mile Hi risers, when Darin referred to them as one of the top choruses. Myron asked a riser mate, “Does that mean Alexandria, Virginia?” So we welcome a never-ever barbershopper to our ranks, though he says some 25 years ago he sang in school and church choirs.
Myron says he hopes to continue learning, and is for now “hanging on by his teeth.” And aren't we all-Darin takes us around some new corners pretty fast.
Myron and Cherie live in Denver with their two daughters, Ashley age five and Meagan age seven. They all enjoyed the last week of March on the slopes at Beaver Creek.
RMD 25TH ANNIVERSARY PLANS

At Rocky Mountain District President Homer Hatcher's instigation, a committee to plan the 25th anniversary celebration of the District's founding in 1978 has been meeting. Fred Wiese, Mile Hi member, chairs the group. Other members include Don Rosenkrans, Jason Mork, Tony Pranaitis, Steve Jackson, Darin Drown and Dick Rautio.
Events and mementoes are being mapped out for RMD's 2003 calendar, including COTS, HEP School, the Spring A Cappella festival, Silverton's summer sing-out, Harmony in the Hills and the Spring and Fall conventions.
The committee has proposed the following anniversary theme to President Hatcher:

25 YEARS OF ROCKY MOUNTAIN HARMONY
SILVER MEMORIES - GOLDEN FUTURE
GERI GEIS HERE TO COACH SOR APRIL 26 !

According to Music and Performance Chairman Roger Olson, Geri Geis, long-time friend and presentation coach for the Denver Tech and Mile Hi Chapters, will be in Denver for a special coaching session April 26. Geri will return as one of our trainers at the annual retreat August 17-18, 2001. A third appearance will be immediately after our 2001 Holiday Show, December 13. Geri is Artistic Director and Choreographer for the Alexandria Harmonizers, a four time Gold Medal International Barbershop Chorus. She is a faculty member for Harmony College, COTS and Harmony District Colleges.


Send e-mail to Chris Pomasl.